Writers are dearly in love with oranges. They’ve found metaphors in bits and peels, even in stems that grow increasingly along the sides of trees that hang low to the reader, easily pickable. What I’ve seen, and continue to see, is that there’s something about oranges...
Two office workers at a tech company undergo an experimental procedure to eliminate hunger, and find themselves grappling with a hunger of a different kind.
Rene Camarillo is an East Los Angeles born and raised creative who produces textiles and handcrafted apparel with themes of immigrant realities, neglected labor, and critique on the social engagement of fast fashion industry practices.
MAROU sits down with one of our editors to discuss mental health, moving to a new city, and how art isn’t just something we do, but who we are. She also talks about the music that has changed her life for the better, and how she’s glad she listened to the signs that kept telling her she was headed down the right path.
N.H. Van Der Haar wrote this work because he was deeply interested in their Gay Sauna, how it occupies a space in pre-legality homosexual life and how delicate its position can feel in the wider culture of Pride and Melbourne culture.
A poem exploring the undertones of horror that exist if you really consider what the famous poem “The Jabberwocky,” is about.
Growing up as a queer Salvadoran in Los Angeles, Cruz portrays his memories of childhood in El Salvador and his experiences coming to the US at the age of five.
A short fictional piece in which two people debate about whether a painting of the real world is of any merit or significance.
The intentions of a painter and an environmentalist are pretty similar. Both aim to preserve the landscapes they love.
Pulp fiction magazines have always teetered between the line of low and high art, and as such are considered fairly niche when it comes to art historical scholarship.
